Sketching 101; How I start my pieces

**Welcome to the first of a multiple post series, each one breaking down one aspect of how I work, spending a little more time with the basics. Want to see something specific? Let me know!**

Sketching 101

My sketches come from a number of places. A memory of a place, color changes noticed during my run, remnants of a dream (or I’m just out to play with my paints!).

I keep a pile of sketchbooks in my studio, each one with different paper textures, tone or sizes, and I’ll reach for whichever book calls to me that day. I tend not to worry too much about matching the final in terms of size ratio of paper type at this point, these moments of exploration are all about spontaneity and discovery. I’ll hammer out the sizing and materials later.

EH Sherman Sketchbook

It’s not always just paintings either, sometimes I’ll scribble little poems or words that call out to me as I work. It’s important to me that my sketches are quick and totally free of restrictions. 

EH Sherman sketchbook

Each final painting is usually born from a multitude of sketches, exploring different facets of the composition/color choice/subject until a few feel like they address the question I began with. Occasionally I’ll move on straight from there to the final work, or I’ll tape the sketches on the wall and consider their movement and rhythm for a few days until I feel satisfied enough with their language to move forward. 

Sketching is one of the most magical parts of being an artist, it’s a time purely for me and my thoughts. (And having a pile of years and years of work to go through has been an excellent tool to chart how my process has changed over years.)

How I Stretch Canvas - Tutorial

I've gotten a number of questions asking how I build/prepare my painting surfaces, and am still so excited about the previous InstaStory tutorial I made - so I thought I might put together a little blog-compendium for the story. This will be a bit more information with links and such that couldn't be addressed in the story form. ((Though, the story has a few mess ups - follow me to see the mistakes!))

This tutorial begins with a pre-made set of stretcher bars from a previous painting, though I will cover various ways to create your own stretcher bars in a future post. For now, grabbing a set from an art store should suffice.

EH Sherman-stretched-canvas-tutorial
EH Sherman_Staples

Step 1.) Materials:

Here I have (from left to right;) My trusty Fredrix canvas pliers, T-square, Stanley Staple gun, T50 Staples, Scissors and Canvas Roll. 




Staple Gun



EH Sherman - Canvas Stretching Tutorial

Step 2.) Roll Out

I'm a huge fan of "measure twice, cut once", so when I roll the canvas out I don't just eyeball the extra length. I make sure that each side will reach (with some extra room too!) past the stretcher bars.


 --- > Note here, if your stretcher bars have a lip like this, that needs to be on the bottom, on what will be the surface for the painting.


Step 3.) Lay Out

Once the canvas has been measured, cut the roll to leave enough space around the stretcher bars for stapling. Some of the canvas may be warped from storage and you can absolutely iron it -- but it should pull taut during stretching regardless. Make sure that the stretcher bars are lined up with the grain/weave of the canvas.

EH Sherman Canvas Tutorial
EH Sherman - canvas tutorial
Don't pull too hard, just finger taut is fine. Too much pulling and the canvas might pull apart or rip through the staples. Don't hulk out.
EH Sherman -Canvas How To

Step 4: STAPLE!

Place the first staple. I put mine in at an angle so it won't tear with the grain if it happens. Turn the canvas 180 degrees, and put in the next staple, pulling the canvas taut either with your hands, or the canvas pliers. (Pliers make the job easier on your fingers/knuckles)

EH Sherman_canvas corners

Step 5.) MORE staples!

Keep turning the canvas until each side has one staple, making a cross pattern of stretched canvas in the middle. From here, add one staple to each opposite side and continue to work your way out to the corners. 

EH Sherman Canvas tutorial

Step 6.) EVEN More Stapling!

Continue stapling until you get an inch or two away from the corners. With bigger canvas you can leave closer to 2, but I usually ballpark about an inch for anything smaller than 18 x24. The canvas should be stretched taut until the corners where a bit of rippling is fine, we'll pull it when we do the corners.

Step 7.) Corners

Everyone has their own method of doing corners, I personally prefer the diagonal 'giftwrap' edge - but feel free to play with the corners and do what feels right. For my corners, I pull the loose canvas across the stretcher corner to make a point, I crease the point and pull it downwards, then fold the excess back into the pocket it makes and staple down. It sounds much more complicated than it is! There's loads of tutorials on how to make more squared off corners on youtube, if this method doesn't float your boat try one of those.

EH Sherman Canvas Stretching Tutorial

Step 8.) Bask in the Glow of a Completed Canvas

When turned over, canvas should be pulled tight, clear of any bubbles. If it still has bubbles pull out some staples and try again. Making canvases isn't easy, but once you have a few under your belt you'll get the hang of it.

I'm always so happy to share my process, anyone have something they would like to see written out step-by-step?

<3 <3